In many ways, it has gone completely unnoticed by marketers and social media managers but it’s growing dominance means that it shouldn’t be. Musical.ly continues the trend of video popularity on social media as it has users share 15-second skits and music videos for followers to watch. Thanks to easy editing tools it has become a place for teens to get creative on social media. Will it be even higher next year? Maybe. Its rise is very similar to Snapchat but it remains to be seen they will be able to maintain this growth. If teens are among your target audience, it’d be wise to keep an eye on this network.
Musical.ly is mainly known as a lip-syncing and video sharing app popular with teens, but it’s starting to sing a different tune and expand its user base.
“Users are creating more original musical comedy, skits, fashion videos,” Ferguson said. “That type of content is becoming a focus for us internally. It’s a matter of creating a broader use case for ourselves.”
Musical.ly is in the midst of running what Ferguson called “revenue experiments” to show that it has what it takes to be a partner for brands without sacrificing user growth and engagement.
Music-related efforts make perfect sense for the platform. A number of recording artists, for example, are turning to Musical.ly to launch albums, run contests and promote their music, including Jason Derula, Selena Gomez, Flo Rida and Megan Trainor.
But having amassed a large, loyal audience – users create more than 9 million videos per day on the app – it’s up to Musical.ly not to ruin that with an ad experience that feels at odds with its roots.
That’s part of the ever-present challenge facing apps looking to monetize without alienating their users. But for Musical.ly in particular, the greater challenge is demonstrating that the app can be a valuable partner to general brands, not just teen-focused ones.
Musical.ly recently ran a campaign with Coke, and another with Lionsgate for the release of its film “Nerve.” In the Coke example, users were asked to shoot videos of themselves sharing a Coke with friends or family. More than 900,000 videos were submitted.
“Some folks have asked me, ‘Is advertising on Musical.ly really valuable considering how young your demo is?’ But they have credit cards – whether their own or their parents’ – and they have an incredible amount of influence,” Ferguson said. “I think a lot of people underestimate that.”
Consider that 16-year-olds and their parents could be on the cusp of making a car purchase. A 17-year-old is likely about to head off to college and be in-market for a whole host of products – everything from bedding to financial planning.
“It makes sense to start chatting with that demo now,” Ferguson said. “But it’s not about trying to create endless monetization opportunities off of our users. It’s about creating marketing opportunities for brands and studios that feel organic to the app and lean into the behaviors we’re seeing on Musical.ly so that users are excited to participate.”